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Marc-André Dalbavie is a composer who combines electronics with acoustic instruments using spectral composition techniques. I learned a great deal from him at IRCAM in Paris in 1991. He introduced me to his spectacular and hallucinatory piece Seuils (1993) in which one hears a soprano turning into various other instruments of the orchestra. It's from Dalbavie, Grisey and Murail that I learned the principles of spectral music and apply them today in my own music for film.
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