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absolutely wonderful ...beautifully realised ...better than I envisaged

Brian Inglis

a lively conductor ...breathtaking ...authentic and surprisingly moving ...rare, magical.

Jonny Trunk
Record Collector Magazine
2/2009


"Makes the hairs on my arms stand up."

Darren Ward, Director, Sudden Fury

'Thunderous ...score '

Variety on A Fistful of Fingers


'Italian-sound spy instrumental, organ groove, and 70s futuristic orchestra madness à la Space: 1999!
OK, I'm gonna take a leap here, but yes, this soundtrack is better than its forerunner Barbarella.'

Jane Fondle, San Francisco DJ

'I love the music [François] did for Josh. ...simply amazing! We are more than thrilled to be able to release such a cool record . . . probably the most fun soundtrack since Goldfinger'

Joseph Lee,
CEO Diorama Music, US


The Philharmonia Orchestra led by François Evans blast off into a blistering rendition...

SciFi.co.uk

goosebumps ...the music was spot on

TVCentury21


an exceptional event

Olivier Desbrosses
underscores.fr

entertaining, funny and so well organized, many congratulations, your conducting was awesome ...amazing energy and enthusiasm ...really impressive, really well done

Mani Rassai
Composer


'clever, diverse, full of humour and very memorable.'

Andrew Parkinson, British Director

'clear-formed and dynamic...interesting'

Nic Williams, The Independent


"the best title song I've heard in a film in a long, long time."

Damien Anderson, Chief Sound Engineer, National Film & TV School, on score to Pulse

'I love what Evans has done. He brings Passage . . .to great heights
. . .His talent is rare.'

Mike Aho on score for film
Passage à Vide


'a good music track'

The Guardian on score for
A Fistful of Fingers 12/'95

'Special nod must go to François Evans for a great score, all moody ambient synths and pounding bass beats, which offsets the stylish bloodletting superbly.'

Rob Daniel, Samhain on score to Sudden Fury


'an odd staccato jazz sound that's weirdly suggestive of a chase scene in a '70s cop movie'

Jeremy Webster of meridian-music.com on score to Martyr


'the booming ..score ..heightens the humour'

Blockbuster.com on score to
A Fistful of Fingers

'an incredibly cheesy theme song I cannot get out of my head'
skynet.be on Pervirella

"François Evans's wonderfully eccentric music."

Alexandre Tournier,
Director Why Not?

'I particularly liked the disturbing feel . . .and the way [François Evans] has created a sense of madness.'

British Director Norman J. Warren


"Superb. Really, really good."

Roberto Roarke,
Director, Hitman


'clearly ...real talent'

Olaf Wyper,
MD, Soundtrack Music Associates Ltd

'groove to the psychedelic, 1960s-inspired title track'

Andy Black, Samhain on Pervirella


'amazing moments ...some fantastic lush textures ...electronic sounds which we don't hear every day

...a great combination of unusual sound with what people expect from a decent movie score.'

Dr Ambrose Field
University of York, England.

'the soundtrack has a very groovy feel to it throughout and ...goes well within the film. I would recommend [it].'

Amazon, UK
on Pervirella


'distinctive and easy to enjoy, ... one of the best demos I've heard in a long while.'

Richard Allison,
Director, Trickshot Film Productions

totally fab ...utterly ace, far better than the John Barry show at the RFH [2007]

Martin Green
The Sound Gallery
/Abbey Road


"That boy is very good."

Iannis Xenakis

'The score for this film also usually draws comment. It was written by a very talented composer called François Evans.'

triggerstreet.com on the score to Neil Graham's short film Foot in the Door


"He's brilliant, he's absolutely brilliant. He understands the music."

Dr Wilfred Josephs, late British composer on seeing Evans conduct world première of Josephs' Violin Concerto, and the European public première of his Mortales for chorus, soloists and symphony orchestra at St John's, Smith Square, London. 10/1997.

truly dreadful. Possibly the worst thing ...ever inflicted. ...nasty

Andrew Frampton
bigrat.co.uk

 

 

 
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