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"Makes the hairs on my arms stand up."

Darren Ward, Director, Sudden Fury

'Thunderous ...score '

Variety on A Fistful of Fingers


'Italian-sound spy instrumental, organ groove, and 70s futuristic orchestra madness à la Space: 1999!
OK, I'm gonna take a leap here, but yes, this soundtrack is better than its forerunner Barbarella.'

Jane Fondle, San Francisco DJ

'I love the music [François] did for Josh. ...simply amazing! We are more than thrilled to be able to release such a cool record . . . probably the most fun soundtrack since Goldfinger'

Joseph Lee,
CEO Diorama Music, US


'clear-formed and dynamic...interesting'

Nic Williams, The Independent

'clever, diverse, full of humour and very memorable.'

Andrew Parkinson, British Director


"the best title song I've heard in a film in a long, long time."

Damien Anderson, Chief Sound Engineer, National Film & TV School, on score to Pulse

'I love what Evans has done. He brings Passage . . .to great heights
. . .His talent is rare.'

Mike Aho on score for film
Passage à Vide


'a good music track'

The Guardian on score for
A Fistful of Fingers 12/'95

'Special nod must go to François Evans for a great score, all moody ambient synths and pounding bass beats, which offsets the stylish bloodletting superbly.'

Rob Daniel, Samhain on score to Sudden Fury


'an odd staccato jazz sound that's weirdly suggestive of a chase scene in a '70s cop movie'

Jeremy Webster of meridian-music.com on score to Martyr

'the booming ..score ..heightens the humour'

Blockbuster.com on score to
A Fistful of Fingers


"François Evans's wonderfully eccentric music."

Alexandre Tournier,
Director Why Not?

'I particularly liked the disturbing feel . . .and the way [François Evans] has created a sense of madness.'

British Director Norman J. Warren


'clearly ...real talent'

Olaf Wyper,
MD, Soundtrack Music Associates Ltd

'groove to the psychedelic, 1960s-inspired title track'

Andy Black, Samhain on Pervirella


'amazing moments ...some fantastic lush textures ...electronic sounds which we don't hear every day

...a great combination of unusual sound with what people expect from a decent movie score.'

Dr Ambrose Field
University of York, England.

'the soundtrack has a very groovy feel to it throughout and ...goes well within the film. I would recommend [it].'

Amazon, UK


"Superb. Really, really good."

Roberto Roarke,
Director, Hitman

'distinctive and easy to enjoy, ... one of the best demos I've heard in a long while.'

Richard Allison,
Director, Trickshot Film Productions


"That boy is very good."

Iannis Xenakis

'The score for this film also usually draws comment. It was written by a very talented composer called François Evans.'

triggerstreet.com on the score to Neil Graham's short film Foot in the Door


"He's brilliant, he's absolutely brilliant. He understands the music."

Dr Wilfred Josephs, late British composer on seeing Evans conduct world première of Josephs' Violin Concerto, and the European public première of his Mortales for chorus, soloists and symphony orchestra at St John's, Smith Square, London. 10/1997.

truly dreadful. Possibly the worst thing ...ever inflicted. ...nasty.

Andrew Frampton bigrat.co.uk