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Scoring
 
François Evans at BAFTA
 
 

1. Experience /Studio
2. Genres
3. Techniques

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1. Experience /Studio

François Evans has been writing and producing music for feature films since 1992. He specialises in combining vintage and state-of-the-art electronics with acoustic instruments to produce warm, rich, emotive, powerful, original and catchy scores.

Based in London, François Evans works from the La.M.P Studio and takes pride in having working access to some of the finest musicians in London. Among its collection of vintage instruments, the La.M.P Studio includes:

For a complete list of studio equipment, click here.

Scoring normally takes from six to eight weeks, from from contract agreement and receipt of locked edit of the film, to delivery of finished, mixed masters. Read reviews here.

 

François Evans conducting the Urban Big Band in his score to
Tom Schan's feature: Martyr (2006)
 
 

2. Film Genres Scored

François Evans prefers composing for films in the following genres:

    • Action-Adventure
    • Spy and Supernatural Thrillers
    • Horror
    • Sci-Fi
    • Drama
    • Romantic
    • Martial Arts
    • Comedy
    • Period /historical.

     

 

La.M.P.'s instruments bring your film score a warm, timeless electronic sound.

Above, some of La.M.P.'s outboard equipment.

 

3. Spectral & 12-Note Music Techniques

  • François Evans sometimes uses spectral composition techniques in his music.

Back by popular demand is the extract from his concert work Repeal (Concerto for piano & electronics) which demonstrates one aspect of this technique:

Déstructeurs (extract) from Repeal (Concerto for piano & electronics)
(1'43")
[2.4MB mp3]

Right-click to download free mp3

François sometimes also uses 12-note techniques in composing. This is a similar approach to that used by Jerry Goldsmith in Franklin Schaffner's Planet of the Apes (1968) and Michael Small in Alan Pakula's The Parallax View (1974).

 

La.M.P. produces its film music mixes on an
analogue Soundcraft Series 600 32:8:2 desk.